Category: Hollywood

No Laughing Matter

A constant truism exhibited over the years by the left is their inability or unwillingness to deal with criticism. Probably from lack of practice, but when your megaphone, the bought and paid for MSM, suddenly forgets their lines and challenges previously held protocols for decorum, the flummoxed are at a loss, not knowing whether to scratch their watch or wind their ass. Ditto with that ever elusive concept known as free speech. “Free” seems to be a conditional term, like free for me but not for thee,”We will stand up and protect your right to express yourself, as long as we agree with that expression”. From calls to fire Rush to Obama’s war with Foxnews, the thin skinned absolutely refuse to tolerate that with they deem intolerant. Enter Miss Pantsuit;

In what appears to be a first for a serious presidential contender, Hillary Clinton’s campaign is going after five comedians who made fun of the former Secretary of State in standup skits at a popular Hollywood comedy club.

A video of the short performance, which is less than three minutes, is posted on the website of the renowned club, Laugh Factory, and the Clinton campaign has tried to censor it. Besides demanding that the video be taken down, the Clinton campaign has demanded the personal contact information of the performers that appear in the recording. This is no laughing matter for club owner Jamie Masada, a comedy guru who opened Laugh Factory more than three decades ago and has been instrumental in launching the careers of many famous comics. “They threatened me,” Masada told Judicial Watch. “I have received complains before but never a call like this, threatening to put me out of business if I don’t cut the video.”

No one should dismiss the reach and power of the Clintons (Vince Foster) or poo poo this guy’s concerns about his own personal safety.

We have seen Obama’s short fuse when it comes to the press not towing the party line. When Hollywood wanders off the reservation, even minutely, it can throw them for a loop. The left gets special reverence right up there with Muslims. Rip a Christian or a Jew, they can handle it, no worries on your end, but say something unflattering about a Muslim and those damn blasphemy laws kick in, and you better go into witness protection.

Croney capitalist billionaire wants to stop others from getting rich like him

Say what you want about Bill gates, but as of late he has turned into a giant bag of dicks. The man that managed to successfully create and hold a incestuous monopolistic relationship with big government that allowed the mega corporation he ran to crush competition and make him a fucking billionaire, now in his old age, is basically trying his best to limit membership to the exclusive he belongs to by asking that the bar that keeps the riff-raff out of the new American aristocracy be raised even more.

Never mind the idiotic fact that the crony capitalism of the last few decades that has all but subverted and destroyed the small business industries that used to keep our overregulated and overburdened economy growing by some miracle, is a direct byproduct of big government socialism he tells us we need more of. He pleads his case by calling of all things on the idiotic and discredited big government booga-boo of climate change.

Seriously? Of course they need socialism to cure climate change, duh! In fact, the people that champion this idiotic cult’s teachings were hoping that they could scare everyone else with their doomsday climate change predictions to get even more oppressive socialism that would otherwise never be acceptable rammed down people’s throats.

Don’t be fooled by these mega rich assholes, like Gates or Buffet, whom for some ungodly reason seem to push anti-capitalist bullshit. They do this for personal gain. They know they have enough power and wealth to keep anyone from taking theirs, and they push for more corrupt government control precisely because it will both benefit them personally while making it possible for them to control whom gets allowed in the credentialed aristocratic circle the left has managed to create in this country.

Capitalism died a long time ago, right about the time government inserted itself in the middle of any business transaction between willing participants, through mechanisms that control entry and protect special interests while pretending to be done to serve the public.

Fuck these assholes and the horse they rode in on. What we really need is a culling of the new aristocracy.

Artsey Fartsey

There is a bold courageous trans formative new artist in Chicago, I hear Monet got his start the same way, pass the Chardonnay and brie;

And you thought it took talent to be an artist.

Have you ever seen a more punchable face than that mope Ti-Rock Moore? Funny but in looking at that exhibit, no where is that stolen box of cigars.

If the curator was half serious about his new art exhibit, he would station a 300lb black man close by to slug each patron in the face, you know, so they could get a feel for what Officer Wilson went through, a little authenticity thrown in.

And see, he didn’t have his hands up at all, I knew it.

Movie Review: American Sniper

I just saw American Sniper on DVD. You may remember that this film caused some controversy early this year for supposedly being pro-war and portraying the Iraqis as savages and monsters. A planned screening at the University of Michigan was scotched because students complained that it was “anti-Muslim”.

First things first: the film is very good. Clint Eastwood’s directing is sharp and clear. Bradley Cooper gives an astonishing subdued performance as Chris Kyle. It is tense, well-paced and definitely worth your time (although it is definitely not for children as it features some brutal violence).

I can also report that the political aspects are massively overblown. As with Eastwood’s previous Letters from Iwo Jima and Flags of Our Fathers (and the Oscar-winning The Hurt Locker) the politics is subdued if it exists at all. It focuses heavily on the experience of the soldiers, both in the war and when they get home. While Kyle says he is not haunted by the people he killed (only the people he failed to save), the film hints that this is not entirely true. Cooper’s nuanced performance and Eastwood’s excellent direction suggest that the Kyle’s battle wounds go deeper than he lets on. But it’s not hammered home. It is not broadcast with screaming banners and clunky dialogue. You have to watch and think.

And I think that’s what bothers many liberals about the movie. They wanted a movie that would portray Kyle — a sniper who likely claimed over 200 kills — as a monster. They wanted it to get into what a mistake the Iraq War was. And that it was made by the man who gave a memorable anti-Obama speech at the 2012 Republican convention only exacerbated that need. But the movie steadfastly avoids politics (just as Letters avoided any politicizing about the Japanese Empire). You can draw whatever conclusions you want — that the war was a mistake or that the war was a good idea. But the movie cares mainly about the stress, the terror and the cost that our soldiers endure.

(As for the movie not being sympathetic to the Iraqis: it actually does get into it a little, especially one brutal sequence that demonstrates clearly that many Iraqis were caught between a rock and a hard place — wanting to help the US, but facing horrific retaliation if they did. There are scenes showing the heavy cost the war took on the Iraqi people. The main antagonist of the film is also humanized a little, showing his family and hinting at a past. But because the movie is mainly concerned with Kyle, these things are subtle and again require you to watch … and think.)

There’s a line from the movie Black Hawk Down, another excellent war film, that I’m fond of:

When I go home people’ll ask me, “Hey Hoot, why do you do it man? What, you some kinda war junkie?” You know what I’ll say? I won’t say a goddamn word. Why? They won’t understand. They won’t understand why we do it. They won’t understand that it’s about the men next to you, and that’s it. That’s all it is.

That quote is the key to understanding American Sniper. It’s a good movie. It might even be a great movie. You should see it. And stuff the politics.

Ill-bred Bitches Gotta Eat Too

A lot of moral outrage this week over a recorded rant by a full of herself not so famous sports reporter over her car being towed;

The usual calls for her head have punctuated the airwaves and talk shows. And the usual perfunctory apology followed after being suspended for a week. First, I will address the rant, I thought it was brilliant. This woman has obviously dressed down an “inferior” before, look at how good she is at it. In a short one minute video she manages to cover all the bullet points (education, lack of skill sets, greed, intelligence, appearance, and a parting shot of fat shaming), and right off the cuff, impressive.

Like a pole dancer at the local strip club who describes her avocation as in the “entertainment industry” this woman thinks she is a real news reporter. And she thinks she is important because she is on TV. Go paint yourself in sheep’s blood and run naked down Penn. Ave at rush hour, you will get on TV.

Now, what to do with her? Don’t do anything, who cares that she is a bitch or was bitchy to some predatory tow company. Do people have to be nice to be good at their job (assuming she is good at her job since I never heard of her before)? There are rude low rent people out there, alert the media. I guess ESPN had to suspend her for a short period of time, but does she really need to get fired over this?

Fell sorry for her parents, but give the girl a break. She has a job and is paying taxes, let boorish vulgar sleeping dogs lie.

A Slave To His Ideology

Often times Hollywood is more entertaining (and often for the wrong reasons) than intended. Not only for their goofy ideas (spoon fed to them by their dem enablers) and faux sanctimony, but the sense of entitlement, of privilege, that we should not hate them because they are pretty, they really care.

One of the biggest libs in lib land is Ben Affleck, you know, the guy that called Bill Maher a racist because he (Maher) blanches at the idea that radical Muslims want him dead. Affleck is a big star and is not about to let a little unsavory family history sully his image;

As a guest on PBS genealogy program Finding Your Roots, Ben Affleck discovered one of his ancestors owned slaves and asked producers to suppress that fact, hacked Sony emails uploaded by WikiLeaks this week show.

The censorship—an apparent violation of PBS rules—is revealed in a July 2014 email thread between Sony Entertainment CEO Michael Lynton and Finding Your Roots host Henry Louis Gates Jr. In it, the two discuss the unusual request of an unnamed “megastar” later referred to as “Batman.”

“[C]onfidentially, for the first time, one of our guests has asked us to edit out something about one of his ancestors—the fact that he owned slaves,” Gates writes to Lynton. “We’ve never had anyone ever try to censor or edit what we found. He’s a megastar. What do we do?”

In his reply, Lynton recommends removing the material as long as “no one [else] knows,” before writing “all things being equal I would definitely take it out.”

You remember Gates, another one of those elitist snobs who thinks it is racist for a cop to ask him a few questions. I guess Van Jones or Charles Ogletree were busy.

The beauty of this little incident is that it single handedly touches all the bases in this grand slam of liberal hypocrisy, to wit;

Image over reality- its not what is, its what is presented

White guilt run amok- when you are liberal and white, you personally feel responsible for every perceived injustice that happened from the dawn of time until now, perpetrated by a white man. And as a liberal white man, his credentials must constantly be renewed. It matters not that hundreds of thousands of folks in the south owned slaves, it matters not that even blacks owned slaves, it matters not that when stacked up against the history of slavery with other nations and empires, we were relative pikers in the practice, and it matters not that even within Africa tribes owned other tribes, dealing in slavery way before the white man ever dreamed of the idea, all that matters is the liberal white man is he will be forever tainted by his whiteness, he can never be forgiven the deeds of others of his skin pigment.

The Clinton Doctrine- there really is different rules for different classes, rules for normal folk, and rules for nobility (less rules, of course). The hoity-toity (of which Affleck resides) get treated differently, they are owed this special treatment by right of celebrity. Something that has never been done before (like allowing a guest to dictate what facts will be allowed and what will be omitted), becomes ,”Well, he is a big shot, lets make an exception”.

Black Indignation is a one way street. The cop that hassled Gates must be a racist because he was a cop, but Affleck, even though he was spawned from a slave holder, he gets taught the secret handshake and is allowed into the club because he is a lib just like us. Racism (and the outrage spawned from perceived racism) is always conditional on who (or what class) is the victim. Blacks can not be racists by virtue of their skin color, liberals can not be racists as long as they understand that the cost of them being white can never ever be fully repaid, that charge card will always be maxed out.

Moral equivalence- actions will always be viewed through the prism of race, and as such, morality is ancillary;

Eventually, Gates acknowledges that fulfilling the request “would be a violation of PBS rules, actually, even for Batman” and “would embarrass him and compromise our integrity,” concluding, “Once we open the door to censorship, we lose control of the brand.”

And yet, even these considerations were suborned in the name of racial justice. Censorship is allowed if it perpetuates the cause. Integrity, rules, both guidelines to be navigated (or ignored) dependent upon the message being delivered. It is the motive that counts, everything else is malleable.

Naturally all this drama happens on PBS.

Who knows, that ancient ancestor might have been George Washington, Thomas Jefferson, James Madison, even Andy Jackson, no matter, disregard everything admirable this man had done through his lifetime, being a slave owner is all that is important.

Hollywood Gets It Wrong Again

The world is an absolute mess; the ME on fire in some part due to Obama’s retreat, Iran getting a guarantee on its nuclear development as long as it is in a secret underground facility with no meddling allowed by Israel, and Iran solidifying a Persian Empire with take overs of Yemen, Lebanon, Iraq, and Syria, all the while pulling Obama’s chain with meaningless executive nuclear agreements, but this post is about none of that.

Periodically I look at alternatives to cable, what’s out there to fill my TV needs so I can 86 my cable provider. Live events, the ability to DVR, and my eclectic tastes always bring me back. One channel that I can’t part with is TCM. Sports, movies, and Foxnews, what else is there to watch? Maybe some netflix originals, more on that in a minute. I have always liked old movies and a unique feature of old movies is that everyone smoked. Hollywood had everyone smoking because they thought they were trailblazers, they thought smoking was admirable, that the folks would think these actors were cool and would want to watch them, but mostly they connected smoking with glamour, they were wrong.

Today smoking is out, profanity is in, they are still getting it wrong. Lately, in between March Madness Games (teaser, more on that in a bit) I have been watching the new Netflix original series Bloodline, it is really good. Without going in to specifics, it is not about guys in the military, in prison, or in gangs, it is about an ordinary family (with not so ordinary secrets) and yet every 4th word out of their mouths (all mouths, kids included) is f bombs. Not even through the first episode the smoking similarity was obvious. Does Hollywood think that ordinary folks talk like this or that ordinary folks watching this will think dialogue like this is cool or emblematic in some way? Yes, it is a minor irritant, and detracts little from the stellar quality, but why do they do it?

I don’t think I live a pampered sheltered life, but the only time that I ever hear f bombs or profanity in general is on TV, I never (hardly ever) come across it in real life. I am out and about every day interacting with my fellow earth dwellers, is Hollywood the only place where folks swear like sailors on a regular basis? Even in the blogosphere or this site for instance, writers manage to go whole paragraphs without it, why can’t Hollywood write 3 lines without any f bombs? Is it me? I predict that, just like the smoking prevalence of the old movies, when future generations looks at our current entertainment fare, quizzical expressions and scratching of heads will result when they analyze the apparent appeal of lazy speech.

In the event this post garners no interest, I admitted it was a personal pet peeve, I will hijack my own post, and ask the most important question; Can Kentucky be beaten?

Hollywood elites shows why they are douchebags

Clint Eastwood made a pro-US/pro-military movie, and like with everything the guy does, it is kicking ass and taking names, and as expected it is pissing off the liberal cunts that hate both and they are whining about it.

The problem is that these liberal elites think the idea of a good war movie is one where America and Americans are painted as the bad guys, or at a minimum as dolts that do evil things because they are too stupid to know better, and anything that says otherwise, especially when it ends up earning at the box office unlike the crap they produce and like, needs to be cock blocked. This is a move made out of desperation and envy, and what they are really questioning isn’t the content of the movie, but the fact evil Americans prefer the stuff that makes America look good over the bullshit they want to peddle.

Let me remind you that this is not the only genre of movies that Hollywood struggles with: religion movies produce the same results and problems for them. They are furious that movies of any kind that contradict the liberal narrative and idiotic beliefs does well. They have pissed away millions making junk movies with the liberal message only to watch them flop. The narrative then was America had no stomach for this stuff. Then someone like Eastwood puts out a movie on the subject and the thing rocks, crumbling the whole house of cards they have spent so much efforts erecting.

Hollywood’s problem is that liberal douchebags have been trying to push the liberal agenda in the drivel they pass off a deep cinema, and they have failed to garner the support they believe they are due, and anything that gets in the way of that narrative – America is bad, Americans are bad if they are not liberal pussies, and that the drivel the left beliefs in is what is real despite the evidence to the contrary – must be attacked. Fuck them. The best way to do has been laid out for us too: watch the stuff that is good and ignore the liberal drivel. Money talks, and their bullshit can walk. The fuckwads in Hollywood have tried to kill off anyone and anything that doesn’t conform to the liberal agenda, and people like Eastwood and the movies he makes will always be attacked for failing to comply.

The tears of liberal pansies are ambrosia. Enjoy them. Go Clint!

Anarchy Is Right

It has been a great ride, but tonight it ends, carnage and mayhem to follow.

For those interested, I wanted to throw up a quick post before the last episode of SOA, we can discuss any prognostications out there or what you want to see happen once the dust settles.

I have always had a fondness for the show, for several reasons, not least of all because I have traveled the San Joaquin valley extensively, have ridden Harley’s for a good portion of my life, have conversed and shared beers with ex motorcycle gang members, and understand, to some degree, the life and affection for clubs like this.

Once Tara died in the last episode of last season, I pretty much knew Sutter was going to blow the whole thing up this season, leaving no one unscathed or unharmed. But what we have seen so far, holy crap.

Two characters I have grown to love and am sorry to see them go, Juice and Unser. Unser should have gone all doped up on Morphine dying of cancer, or at least taking a stray bullet for Jemma. For Jax to gun him down like that, ouch. Like a son who craved a father’s love but could never get it, as a last ditch effort for redemption, Juice went out in the end helping the club.

Throughout the show, Jax has been a sympathetic figure, trying as he might, doing all the wrong things for the right reasons, hoping to find his moral compass, but never really willing to do the heavy lifting. Almost all of his decisions could be rationalized, the greater good and all that, but this year he went totally off the rails and now is deserving of a bullet in the head. This year I was actually rooting for anarchy and the expansion of the collateral damage circle. I expected Jemma and Nero to live out their days, helping Wendi raise the two kids, trying to minimize the damage and the trauma already inflicted on them.

If a Charming chapter of the Son’s can exist, Chibs is the natural selection for pres, although Happy is such a loveable guy (smiley face tattoos on abdomen for every kill, classic). Sure, the love affair between Chibs and the local sheriff, ridiculous, but a minor distraction.

So, on to the ending tonight. What I don’t want to some Dexter like let down, an ending so preposterously stupid and un fulflling that fans are left wanting bloodshed for the writers. Sutter has many options here. Jax can survive, booted out of the club, of course, this is a given for killing Jury, earning a meager living as some low paid mechanic somewhere but having a life with Wendi and his two kids, having to live with the bad decisions he made in life and how miserably he failed at fulfilling the vision John laid out for him in his manuscript. Or, Marks could put a bullet in his head, not unwarranted.

I gonna be pissed if anything happens to either Wendi or Nero, two folks who have tried to walk the straight and narrow. Somebody needs to raise those two boys. Although now that Jemma is gone, Nero might just be the odd man out, hope not.